Damiano Bertoli

 

Born 1969 and Lives & Works in Melbourne.

 

Selected Solo Exhibitions

    2015

Damiano Bertoli: Come to Now, TCB Art Inc, Melbourne, Victoria.

    2014

Associates, Neon Parc, Melbourne

Continuous Moment: Sordid's Hotel, CCP, Melbourne

    2011

Continuous Moment: Anxiety Villa, IMA@Surfers, Gold Coast, Queensland.

Continuous Moment: Anxiety Villa, Artspace, Sydney.

     2010

Continuous Moment: Le Desir…, Neon Parc, Melbourne

Continuous Moment: Le Desir…, Milani  Gallery, Brisbane

     2009

Continuous Moment: Bad Infinity, The Narrows, Melbourne

     2008

Continuous Moment: I’m Ok, You’re Ok, CACSA, Adelaide

Continuous Moment, Geelong Art Gallery, Geelong

     2007    

Goodbye Surfing, Hello God!, Neon Parc, Melbourne

     2006      

Continuous Moment: Hot August Knife, MOP Projects, Sydney

     2005      

Continuous Moment: Hot August Knife, Ocular Lab, Melbourne

     2003  

Continuous Moment, Gertrude Contemporary Art Spaces, Melbourne

     2002    

Frightened of This Thing That I’ve Become, 1ST FLOOR, Melbourne

     2000      

Lagrange, Studio 12, 200 Gertrude Street, Melbourne

     1998     

Damiano Bertoli, 1ST FLOOR, Melbourne

 

Selected Group Exhibitions

     2016

Dancing Umbrellas: An exhibition of movement and light, Heide Museum of Modern Art, Victoria

     2013

Video Arte Australia y Neuva Zelanda, Centro Cultural Matucana, Santiago

Melbourne Now, National Gallery of Victoria, Melbourne

Drawing Now (Melbourne Now), NGV, Melbourne

Video Contemporary, curated by Mark Feary, Sydney

My Avant-Garde is Bigger Than Yours, KINGS ARI, Melbourne

Sydney Contemporary, Carriageworks, Sydney

Like Mike, Charles Nodrum Gallery, Melbourne

Collage: The Heide Collection, Heide Museum of Art, Melbourne

Lie of the Land, Geelong Art Gallery, Geelong

Drunk vs Stoned XIII, Neon Parc, Melbourne

     2012

Deep Inside, Hamish Mckay Gallery, Wellington

Radio Alice, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne

Post-Planning, Ian Potter Museum of Art, Melbourne

Chinatown, The Sequel, LTD Los Angeles, Los Angeles

     2011

New Psychedelia, University of Queensland Museum, Brisbane (Upcoming)

When The Dead Help the Living, Light Projects, Melbourne (Upcoming)

Reason and Rhyme, Gertrude Contemporary, Melbourne (Upcoming)

Cognitive Dissonance, Cottage Home, Los Angeles (Upcoming) 

Yebisu International Festival for Art and Alternative Visions, Tokyo Metropolitan Museum of Photography, Tokyo (Upcoming)

An Exchange with Sol LeWitt, Mass MoCA, North Adams, Massachusetts (Upcoming)

     2010    

Stick It! Collage in Australian Art, National Gallery of Victoria, Melbourne

City of Hobart Art Prize, Tasmanian Museum and Art Gallery, Hobart

Event Horizon, Centre for Contemporary Photography, Melbourne

The Nothing, WestSpace, Melbourne, and Chalk Horse, Sydney

Please Don’t Let Me Be Misunderstood, Waterside Pavilion, Hobart

Silent Nights, Light Projects, Melbourne

The Narrows Monochromes, The Narrows, Melbourne

     2009    

Fremantle Print Award, Fremantle Arts Centre

The Gift, ICAN, Sydney

Expandex, Tin Sheds Gallery, Sydney

+/-, Switchback Gallery, Monash Centre for Art & Design, Churchill

Lo Sguardo Di Giano, American Academy, Roma

LOOP ’09, Hotel De Las Ramblas, Barcelona

ART LA, Barker Hangar, Santa Monica

     2008    

Structural Decline, Melbourne Art Fair, Melbourne

True Crime – Murder and Misdemeanor in Australian Art, Geelong Art Gallery, Geelong Print Workshop, The Narrows, Melbourne

Informal Rituals, TCB Arts Inc, Melbourne

Nice Stratigraphy, Conical, Melbourne

     2007    

West Space East, Plastique Kinetic Worms, Singapore

Paper/Scissors/Rock, Westspace, Melbourne

Blueprints for a new Topiary, Metro Arts, Brisbane

NEW07, Australian Centre for Contemporary Art, Melbourne

Relentless Optimism, Carlton Club Hotel, Melbourne

Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, Bendigo

     2006      

One God, No Masters, Hamish McKay Gallery, Wellington, NZ

Motion Pictures, PICA, Perth

Endgame: Late- Capitalist Realism, VCA Gallery, Melbourne

Fletcher Jones Art Prize, Geelong Art Gallery, Geelong

Adventures with Form and Space, Balnaves Sculpture Project, Art Gallery of New South Wales, Sydney

Trinity Nine, Trinity College, Melbourne University, Melbourne

Silenzi, Palazzo dei Prigione, Venice, Italy

Kids Stay Free, Neon Parc, Melbourne

     2005

Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, Melbourne

Deep Purple, Manning Clark House, Canberra

National Sculpture Prize, Australian National Gallery, Canberra

Re/Thinking, Bus, Melbourne

Ocular Lab: 12, Spacement, Melbourne

     2004    

Quiet Collision, Viafarini & C/O, Milan, Italy

Labrador, Ocular Lab, Melbourne

2004 Australian Culture Now, National Gallery of Victoria, Melbourne

Papercuts, Monash University Gallery, Melbourne

This Was the Future…Australian Sculpture of the 1950’s, 60’s, 70’s +Today

Heide Museum of Modern Art, Melbourne

 

Awards, Residencies, Grants

     2013

Australia Council Visual Arts Board, New Work Grant

     2009

Fremantle Print Award, Fremantle Art Gallery, WA

     2003    

Arts Victoria, Development Grant

     2000    

Australia Council, Visual Arts/Crafts Board, Overseas Studio Residency, Milan

     1999     

200 Gertrude St. Melbourne, Studio Residency

 

Collections

Artbank

City of Fremantle

Geelong Art Gallery

Deutsche Bank (Australia)

Private collections in Australia, New Zealand and Italy

 

Texts by the Artist

'Tempo Kolossal’ in Making Worlds: Art and Science Fiction, pp 169-174, Eds. Barikin and Hughes, Melbourne, Surpllus, 2013

'Stratified and Gratified: Lizzy Newman’s Expanded Feel’, in Elizabeth Newman - More Than What There Is, pp 87-93, Eds. Fayen D’Evie & Elizabeth Newman, Melbourne, 3-Ply, 2013

‘Post-Structural-Jam', Catalogue , Masato Takasaka, Y3K Gallery, 2009

‘Continuous Moment: Bad Infinity’, The Narrows, 2009

‘Another Soft Machine’ essay for Matt Hinkley in NEW 08 catalogue, ACCA, 2008

‘Twin Lizzy’, Exhibition essay for Elizabeth Newman, Ocular Lab Inc, Melbourne, 2007

‘The Sounds of Science’, Artlink, Vol 25, No. 1, 2005, Adelaide

‘For Many Artists of My Generation - Mutlu Cerkez’, New05, Australian Centre for Contemporary Art, Melbourne, 2005

‘Good Secret’, Raafat Ishak, Ian Potter Museum of Art, Melbourne Art Fair, 2002

‘Rose Nolan’, MAKE, Special Edition, 2002, London

‘In the Before Time’, Emily Floyd, Artissima, Exhibition Catalogue, Torino, 2001

‘Baby Mess; the Work of Katherine Huang’, LIKE, Summer 2001, Melbourne

‘Excerpts from a Conversation…’ Mutlu Çerkez and Damiano Bertoli, HOT ROD, Melbourne/Oslo, 2001 

‘Cityscape Melbourne’, Flash Art International, No. 212, 2000, Milan

‘Ways of Living’ review, LIKE,Winter, 1999, Melbourne

Rubik #1, 1998, Melbourne

 

Bibliography

     2014

'Material', No. 3, Eds. John Nixon, Danny Lacy, Melbourne

Johnson, H. 'The Now is Not Present', Exhibition Catalogue, 'Continuous Moment: Sordid's Hotel, Centre for Contemporary Photography, Melbourne.

     2013

Hughes, H. ‘Like Mike’, Frieze No. 157, p. 169

Newton, G. ‘Like Mike, Exhibition Catalogue, Various Venues, Melbourne, p. 81

     2012

Papas, N. ‘Radio Alice’, Exhibition Catalogue, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne

Hughes, H. ‘Radio Alice’, Exhibition Reviews, Art Guide, Nov/Dec, pp 49-50

Leonard, R. ‘Continuous Moment: Anxiety Villa’, Australian and New Zealand Journal of Art, Volume 11, 2011, p.80

Keehan, R. ‘The Set-up: Performative performance in ten uneasy stages’, Column 8, Artspace, Sydney, p.6

     2011

Discipline, Number One, Winter, 2011, Melbourne

Hughes, H. ‘Continuous Moment: Le Desir…’ Eyeline, # 73, p. 87

Wise, K. ‘When The Dead Help the Living’, Ex. Cat, Light Projects, Melbourne

Webb, P. ‘Continuous Moment: Le Desir’, Exhibition Reviews, Art Guide, Jan/Feb pp 31-2

     2010    

Rainforth, D. What’s On, The Age, September 29th, p17

Modra, P. Reviews, M, The Age, 26th Sept, p19

Rule, D. Around the Galleries, The Age, 25th Sept, A2, p20

Daly, A. ‘Meeting With The Monster: Hair, Sex, Shame’, Un Magazine 4.1, Melbourne, pp 52-3

Feary, M. ‘Beyond What Lies Beyond,’ Ex. Cat. ‘Event Horizon’, CCP, Melbourne

Rule, D. Around the Galleries, The Age, 1st May, A2, p22

Croggon, N. ‘Continuous Moment: AndAndAnd…’ Ex. Cat, ‘The Nothing’, Westspace, Melbourne

     2009    

Bell, D. ‘Judges choose to do something witchy’, Fremantle Herald Arts, 3rd October, p35

Snell, T. ‘Images pack a manipulative punch’, The Australian, Out and About, 1st October, p14.

Yeoman, W. ‘Series on serial killer gang takes out print award’, The West Australian – Today, 9th October, p17

Bertoli, D. Titmarsh, M. Trendall, J. ‘The Uncanny X-Men’, Ex. Cat, eXpandex, Tin Sheds Gallery, Sydney

     2008    

Wise, K. ‘Looking Back; Biennials, Surveys and Retrospectives’, Frieze, Issue 112, Jan - Feb

Daw, K. & Sullivan, L. Eds. ‘Bureau’, VCA Margaret Lawrence Gallery, p85

Sullivan, L. ‘True Crime- Murder and Misdemeanour in Australian Art’, Ex. Cat, Geelong Art Gallery, Geelong

Feary, M. ‘Structural Decline’, Ex. Cat, Melbourne Art Fair

     2007    

Garifalakis, T, ‘Year Of The Pig’, Ex. Cat, Neon Parc

Bertoli, D. ‘New 07 Interviewed, Broadsheet, vol 36. No.1,p14.

Barclay, A. ‘Bertoli’s Face Value’, Herald Sun, July 16th

Colless, E. ‘Momentum’, Ex. Cat, NEW07, ACCA

Nelson, R, ‘Pessimism is the new black as artists shrink, erase and shatter expectations’, The Age, 11 April

Crawford, A, ‘Blueprint for a New Topiary’, Australian Art Collector

Chambers, N. ‘Brushmen of the Bush’, Ex. Cat. Blueprints for a New Topiary, Metro Arts, Brisbane

Smee, S. ‘Come feel the Disdain’, The Australian, March 22nd

Webb, P. ‘Relentless Optimism’, The Age, February 14th

Clemens, J, ‘Continuous Moment: I’m OK, You’re OK’, Ex. Cat, Relentless Optimism, Carlton Club Hotel

Nelson, R. ‘A Look On the Bright Side’, The Age, February 17th

Palmer, D, Looking Back: Themed Shows, Frieze, Issue 108 Jan - Feb

     2006    

Amery, M; Hothouse Flowers, The Dominion Post, New Zealand 27/10

McDonald, J, Lights, action, entertainment, Sydney Morning Herald, September 9 - 10

Millner, J, Adventures in Form And Space, Eyeline 62

Natasha Bullock, 'Continuous Monumental Moments', Adventures with Form in Space, Ex.Cat, pp 18-19, Art Gallery of New South Wales, 2006

Ashley Crawford, 'Lost in Translation', Art Monthly, August, 2006, pp - 23 - 26

Justin Clemens, - placed, Trinity Nine, Ex.Cat, Melbourne University, 2006

Natalie King, Interview, Slienzi, Ex. Cat, 2006, pp 40- 43, Venice

     2005  

Edward Colless, Ocular Lab 12, Un.Magazine, issue 5, 2005, Melbourne,pp 28 &29

Ashley Crawford, 'Figures of Question', Sunday Age Preview, pp 22 &23

Charlotte Day, Ed. A Short Ride in a Fast Machine, Ex. Cat, Gertrude Contemporary Artspaces, Melbourne, 2005-09-27

Justin Clemens,‘The Future Lasts a Long Time; Or, Damiano Bertoli’s Continuous Moment, Ex. Cat, Ocular Lab, Melbourne,2005

     2004 

Daniel Palmer, ‘2004: Australian Culture Now’, Art in Australia, Vol. 42, No.2, Summer, 2004

Zara Stanhope,’ In Conversation With’, Un. Magazine, issue 2, 2004, Melbourne

     2003

Stuart Koop, ‘A Slow Quiet Collision: Notes Toward a New Serialism’, ‘Quiet Collision’, C/O & Viafarini, Milan, 2003

Zara Stanhope, "Finding Heaven", 'Continuous Moment,' Ex. Cat, Gertrude Contemporary Art Spaces, 2003

     2002

Simone Le Amon,' Frightened of this thing that I've Become,' Monument, no.53, pp93, Melbourne, 2002

Ihor Holubizky,’ Mutable Spaces’ , Eyeline, Vol 48, 2002 Brisbane, p 46.

Josh Milani, Mutable Spaces, Exhibition Catalogue, Metro Arts, Brisbane, 2002

     2000

Daniel Palmer, Final Fantasies, Flash Art International, No. 213, Milan, 2000

     1999

Lara Travis, System*, Review, LIKE, Winter 1999, Melbourne

Tom Nicholson, System*, Exhibition Catalogue, Linden Gallery, Melbourne 1999

     1998

Zara Stanhope, ‘Graphic’, Exhibition Catalogue, Monash University Gallery, Melbourne 199