Rosslynd Piggott
ROSSLYND PIGGOTT
Solo Exhibitions
2019 Rosslynd Piggott: I sense you but I cannot see you, National Gallery of Victoria, Melbourne.
2018 Rose, rose and a shadow of violet. Milani Gallery, Brisbane
Garden fracture/ mirror in vapour: part 3, Martin Grant atelier, Paris, France
2017 Cumulus (mirrored) PhD exhibition, artist’s studio and apartment, Fitzroy, Victoria
Mirror Shift (doubled), Sutton Gallery, Melbourne
Garden Fracture/Mirror in vapour: part 2-Museo del Vetro, Murano, Venice, Italy
2016 Garden Fracture: Mirror in vapour, Venice Art Factory, Venice
2015 Last light/ in vapour, Sutton Gallery, Melbourne
Last light, Gallery 360 Degrees, Tokyo, Japan
Hello Blossom- Inaugural Spring installation, Grub Food Van, Melbourne
2014 Evaporated garden, powdered sky. Milani Gallery, Brisbane.
2013 Scent notations + ether and collapse: part 2, Sutton Gallery, Melbourne.
Murmur. The House of Ideas series. The Johnston Collection, Melbourne
2012 Scent Notations + Ether and Collapse, William Wright Artists Projects, Sydney
2011 Dividing Infinity: A Room for Painting, Tarrawarra Museum of Art, Healesville
Scent Notations + & Star / Giardino di Ninfa, Milani Gallery, Brisbane
2010 Measuring Night - new paintings and mirrors, Sutton Gallery, Melbourne
Several types of flight- letters to the sky. Sutton Project Space, Sutton Gallery, Melbourne
2009 Double Void – paintings and mirrors, Milani Gallery, Brisbane
Several types of flight - letters to the sky, Gallery 360 Degrees, Tokyo, Japan
Extract: in 3 parts, Ballarat Fine Art Gallery, Ballarat
2008 Extract in 3 parts, Australian Centre for Contemporary Art, Melbourne.
Circling Ether-New paintings, Sutton Gallery, Melbourne
2006 Storm 2 , Tracing Sky and Island A.R.T (Artist Residency Tokyo) Tokyo / Ebisu space , Japan
Yamazakura Shinsei Bank Art Project . LCD DVD screen and installation , Omotesando Hills Building , Harajuku . Tokyo , Japan
Dividing Infinity Sutton Gallery, Melbourne
Night Eye and Blossom Face Gallery 360 Degrees, Tokyo, Japan
Yamazakura Melbourne Art Fair V.I.P room
Night Eye , Blossom Face and Yamazakura Sutton Gallery warehouse
New paintings Bellas Milani Galley , Brisbane .
2005 Commissioned 3 Dimensional displays incorporating archaeological artefacts. The Urban Workshop, Melbourne. Architect John Wardle.
2004 Endless blossom space, Sutton Gallery, Melbourne
2003 Storm 2 & Tracing Sky and 2 New Paintings, Bellas Gallery, Brisbane
Gallery 360º, Tokyo
2002 Horizon-love unpeeled Sutton Gallery, Melbourne
Storm 2 & Tracing Sky, Sutton Gallery, Melbourne
Storm 2, Church Gallery, Perth
2001 Storm Citylights, Centre Place, Melbourne
2001 Nature in Black, Gallery 360º, Tokyo
Nature in Black, Window Gallery at Walter Van Beirendonck, Antwerp, Belgium
2000 This moment in Nature: objects recording Night, Sutton Gallery, Melbourne
This moment in Nature: paintings recording Night, Bellas Gallery, Queensland
Rosslynd Piggott: Object and Material, Canberra School of Art Gallery, The Australian National University
1999 Echo 2, Sutton Gallery, Melbourne
Echo, Gallery 360 Degrees, Tokyo, Japan
1998 Suspended Breath, an extensive survey at The National Gallery of Victoria, Melbourne
Swallowing Night 2- This perfect cube of empty night, Sutton Gallery, Melbourne
1997 Swallowing Night, Kitamoto Cultural Centre, Saitama, Japan
La Somnambule, Mori Gallery, Sydney
1996 Measuring the distance between Paris and pure blue, Sutton Gallery, Melbourne
1995 Conversation: an installation, Westspace, Melbourne
Two Spaces: Here, there, Bellas Gallery, Brisbane
1994 Sutton Gallery, Melbourne
1992 Palace 2, Institute of Modern Art, Brisbane
Palace 2, Centre for Contemporary Art, Adelaide, 1992 Adelaide Festival
Powell Street Gallery, Melbourne
1990 Palace, installation, Ian Potter Gallery, Melbourne University
Powell Street Gallery, Melbourne
1988 The Back of a Princess, Powell Street Graphics, Melbourne
1987 200 Gertrude Street, Melbourne
Selected Group Exhibitions
2018 In Bloom, Spring 1883, The Hotel Windsor, Melbourne
In between- Notions of transition and the intermediate, Victorian College of the Arts, University of Melbourne.
Infinite conversations: Asian- Australian artistic exchange, National Gallery of Australia
2017 Every Brilliant Eye: Australian Art of the 1990s, NGV Australia, Melbourne
Everbloom: and an extract of rose, Bus Projects, Melbourne
A discernible air, Queensland Art Gallery, QAGOMA
2016 Geelong Contemporary Art Prize, Geelong Art Gallery, Geelong
Murano today: Emotions of Glass. Museo del Vetro, Venice, Italy
2015 Lurid Beauty: Australian Surrealism and its Echoes, NGV Australia, Melbourne
2014 Animal arch, Art Gallery of Western Australia, Perth
2013 Atlas for the Devil, Greenwood Street Project Space, Melbourne
Mix Tape 1980’s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne
Vibrant Matter, TarraWarra Museum of Art, Healesville
10 Years 30 Artists Art Angels, Turner Galleries, Perth
Home: Reframing Craft and Domesticity, Hatch Contemporary Art Space, Melbourne
The Art of Sound, Holmes a Court Gallery, Perth
Reading the Space: Contemporary Australian Drawing 4, New York Studio School of Drawing, Painting and Sculpture, New York
Reinventing the Wheel: The Readymade Century, MUMA, Melbourne
Melbourne Now, National Gallery of Victoria
2012 Ten Years of Contemporary Art – The James C Sourris Collection, Queensland Art Gallery / Gallery of Modern Art, Brisbane
Contemporary – rehang of John Kaldor Collection, AGSNW, Sydney
R & M McGivern Prize, Maroondah City Art Gallery, Melbourne
Geelong Contemporary Art Prize, Geelong Art Gallery, Geelong
Silver 1987 – 2012, Wangaratta Art Gallery, Wangaratta
Of Virgins, Greenwood Street Project Space, Melbourne
I Would Breathe Water, Sarah Scout Gallery, Melbourne
Negotiating this World: Contemporary Australian Art, NGV Australia, Melbourne
2011 Fountains and Drains, The British School at Rome, Italy
The Naked Face: Self Portraits, NGV Australia, Melbourne
Dark Light, with Andrew Hazewinkel, Sutton Projects, Melbourne
Forever Young: 30 years of the Heide Collection, Heide Museum of Modern Art, Melbourne
Unravelled: artists books and typographical prints from the Banyule Art Collection. Banyule Arts Space, Melbourne
2010 The Beauty of Distance: Songs of Survival in a Precarious Age, Biennale of Sydney
PainThing. Australian Experimental Art Foundation, Adelaide
Slow Burn, S.H Ervin Gallery National Trust Centre, Sydney
The 1980’s: works form the Port Phillip Collection, St Kilda Town Hall, Melbourne/
Brisbane: Punk, Art and After, The Ian Potter Museum of Art, Melbourne
2009 New Zealand Art Fair, represented by Sutton Gallery, Melbourne
Soft Sculpture, National Gallery of Australia, Canberra
2008 In praise of blandness, Monash University Gallery, Melbourne
Lives and Times: A National Gallery of Victoria travelling exhibition, Victoria
Premonitions: Monash University Collection 1961 – 2007, McClelland Gallery and Sculpture Park, Melbourne
Time and Place: Selected works from the TWMA collection, Tarrawarra Museum of Art, Healesville
Into the Closet: objects, garments and creative assessments of male identity, The Carlton Hotel and Studios, Melbourne
When you think about art: The Ewing and George Paton Gallery 1971 – 2008, George Paton Gallery, Melbourne
The Naked and the Nude, Ballarat Fine Art Gallery, Ballarat
360 Editions 2000- 2008, Gallery 360 Degrees, Tokyo. Japan
2007 Curious Forms, Latrobe University Gallery, Victoria
Eye to I, Ballarat Art Gallery, Victoria
Cross Currents, Museum of Contemporary Art, Sydney
2006 Reverie Gippsland Centre for Art and Design Monash University
A Decade of Acquisitions 1996 – 2006 Bendigo Art Gallery
2005 Moist : Australian Watercolours, National Gallery of Australia, Canberra and travelling nationally
2004 So You Wanna Be A Rock ‘n’ Roll Star, Australian Painting from the NGV Shell Collection. An NGV Victorian regional touring exhibition.
2004 Clouded Over, Laurence Wilson Art Gallery, The University of Western Australia.
2004 Robert Jacks Drawing Prize, Bendigo Art Gallery.
2004 Fletcher Jones Art Prize, Geelong Art Gallery.
The Joseph Brown Collection at NGV Australia, Melbourne
2002 The Cicely & Colin Rigg Contemporary Design Award, The Ian Potter Centre NGV:A Federation Square, Melbourne
The Arthur Guy Prize for Painting, Finalist, Bendigo Art Gallery, Victoria.
2003 The Heimlich unHeimlich, RMIT Storey Hall, as part of Melbourne Festival
Australia at ARCO ’02 Sutton Gallery at ARCO, Madrid, Spain
The Shape of Air (flat) Dick Bett Gallery, Hobart
The Shape of Air, Plimsoll Gallery, Hobart
A Modelled World Mc Clelland Art Gallery
2001 Our Place – Issues of Identity in Recent Australian Art Monash University Museum of Art at Prato, Palazzo Vaj., Prato, Italy
National Sculpture Prize and Exhibition National Gallery of Australia, Canberra
Cecily and Colin Rigg Contemporary Craft Award, National Gallery of Victoria
Desire, RMIT Gallery
A Studio in Paris – Australian Artists at the Cité, SH Ervin Gallery, Sydney
2000 Uncommon World, National Gallery of Australia, Canberra
The Paris Syndrome, Sutton Gallery, Melbourne
La Cadavre Exquis, Bendigo Art Gallery, Bendigo
John Leslie Art Prize 2000, Gippsland Art Gallery, Sale
1999 Trace, Liverpool Biennial, Liverpool, UK
Look Again – Contemporary Prints & Drawings from the Collection, National Gallery of Victoria
1998 Graphic, Monash University Gallery, Melbourne
The Infinite Space- Women, Minimalism the Sculptural Object, The Ian Potter Museum of Art, University of Melbourne
Strolling, The Museum of Modern Art at Heide, Melbourne
1997 Fragments-Relation, Lunami Gallery, Tokyo, Japan
13th Biennial Spring Festival of Drawing, Mornington Peninsula Regional Gallery, Mornington
Multiplication: the multiple object in art, Monash University Gallery, Melbourne
Other Stories, Asialink exhibition touring to South Asia 1997/8
Australian artists of the 1980s, Murdoch Court, National Gallery of Victoria
International Multiples, Museum of Contemporary Art, Sydney
Still life, Still lives, Art Gallery of South Australia, Adelaide
Nature, Project Space RMIT, Melbourne
Deacons, Graham and James ARTS 21 Award, Melbourne University Gallery, Melbourne
The Vizard Foundation Art Collection of the 1990s, Hamilton Art Gallery, Geelong Art Gallery, Bendigo Art Gallery
1996 Reservoir, Lake Macquarie City Gallery, Lake Macquarie, New South Wales
Imagining the Real, Parliament House, Canberra
The Gramercy International Contemporary Art Fair, Gramercy Park Hotel, New York
Recent Acquisitions of Contemporary Australian Art, Murdoch Court, National Gallery of Victoria
Perception and Perspective, Next Wave Festival, Murdoch Court, National Gallery of Victoria
1995 The Blundstone Contemporary Art Prize, Queen Victoria Museum and Art Gallery, Launceston, Penrith Regional Art Gallery, Waverly City Gallery, Melbourne
Artists Editions, Sutton Gallery, Melbourne
NON - Artists against Nuclear Testing, The 1995 Greenpeace Artists Fundraiser, Ether Ohnetitel, Melbourne
Lovers, Museum of Modern Art at Heide, Melbourne
Decadence: 10 years of exhibitions at 200 Gertrude Street, Fitzroy, Melbourne
Carnivale des animaux, Sutton Gallery, Melbourne
1994 The Aberrant Object: Women, Dada and Surrealism, Museum of Modern Art at Heide (Installation, Fall 1993/94)
Creators and Inventors: Australian Women's Art at the National Gallery of Victoria (installation: Double Breath (contained) of the Sitter 1993/94)
1993 Arrangement: Australian Still Life 1973-1993, Museum of Modern Art at Heide
Inner Space, Fifth Australian Sculpture Triennial, National Gallery of Victoria
The Art of Collecting, Geelong Art Gallery
Moet & Chandon Touring Exhibition, Australian State Galleries
Bellas Gallery, Brisbane
1992 Mori Gallery, Sydney
Above the Lake, Below the Sky, Benalla Art Gallery
The Nude, Heide Park and Art Gallery, Melbourne
The Angelic Space, Monash University Gallery, Melbourne
Works on Paper by Contemporary Australian Artists, RMIT gallery
Domino I, Ian Potter Gallery, University of Melbourne
Rediscovery: Australian Artists in Europe 1982 -1992, Jardin Pabellion de les Artes Expo 92, Seville, Spain; Australian Embassy, Paris
...but never by chance..., Experimental Art Foundation, Adelaide; Institute of Modern Art, Brisbane; Museum of Contemporary Art, Sydney; School of Art, Canberra; Ian Potter Gallery, University of Melbourne;
Wilderness Society, Linden Art Gallery
1991 Recent Acquisitions of Contemporary Australian Art, Australian National Gallery, Canberra
The John McCaughey Memorial Art Prize, National Gallery of Victoria, Melbourne
Moët & Chandon Touring Exhibition
1991 Ellipses, 13 Verity Street, Richmond
Logos, 200 Gertrude Street, Fitzroy
Artists Make Books, Linden Art Gallery, Melbourne; Chameleon Gallery, Hobart; Latrobe Valley Arts Centre, Morwell; Contemporary Arts Space, Canberra
1990 Monash University Collection - Recent Acquisitions, Monash University Gallery
Architecture of Light, Mori Gallery, Sydney
Anonymous Exhibition, Anderson St, West Melbourne
New Art, Recent Acquisitions of Australian Contemporary Art, National Gallery of Victoria, Melbourne
1989 The Intimate Object, 200 Gertrude Street, Fitzroy
Recent Acquisitions of Contemporary Australian Art, Australian National Gallery, Canberra
Outlines of Australian Art, The Joseph Brown Collection, The Art Gallery of New South Wales, Sydney
Physical Culture, 200 Gertrude Street, Fitzroy
Scotchman's Hill Prize, The Geelong Art Gallery
New Work, Powell Street Gallery, Melbourne
1988 Quartet, Institute of Modern Art, Brisbane
A New Generation 1983 - 1988, The Phillip Morris Arts Grant Purchases, Australian National Gallery, Canberra
1987 Quiddity, 200 Gertrude Street, Melbourne
The Golden Shibboleth, 200 Gertrude Street, Melbourne
Young Australians, Budget Transport Industries Collection, National Gallery of Victoria, and touring nationally
1986 Slouching Towards Bethlehem - Working Drawings, 200 Gertrude Street, Melbourne
Fears and Scruples, Melbourne University Gallery
St Kilda Acquisitive Show, Linden, Melbourne
1985 2D - 3D, Art About Fashion, Australian Centre for Contemporary Art, Melbourne
Figure, Fantasy, Fetish , RMIT Gallery, Melbourne
1983 New Work - Drawing, Gryphon Gallery, Melbourne
1982 Brim-Brim Gallery, Queenscliffe
1981 Noise and Musak, George Paton Gallery, University of Melbourne
Selected Collections
ANZ Bank Collection
Art Gallery of New South Wales
Art Gallery of Western Australia
Art Gallery of South Australia, Adelaide
Artbank, Sydney
Bendigo Art Gallery
BHP Billiton
City of Banyule
Derwent Collection
Joseph Brown Collection
Heidelberg Repatriation Hospital
Holmes a Court Collection
Monash University Museum of Art, Melbourne
Museum of Contemporary Art, Sydney
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Parliament House Art Collection, Canberra
Queensland Art Gallery/Gallery of Modern Art
S & M Smorgon Collection
St Kilda Council Collection
A.R.T Collection, Tokyo
Tarrawarra Museum Collection
The Vizard Foundation Art Collection, the University of Melbourne
Wesfarmers, Perth
Wesley College, Melbourne
Private collections; Australia, Tokyo, Paris, London
Selected Bibliography
Allen, Felicity ‘After Dark, it’s a Snap’, The Herald Sun, 1 December 2001
Allison Josephine “ Long road to digital expression “ The West Australian . 7 August 2002 .
Backhouse, M ‘Piggott at Citylights’, The Age, 28 November 2001
Backhouse, M ‘Piggott airs her delicate touch’, The Age, 8 May 2002
Rosslynd Piggott . The Age ( Melbourne ) magazine . March 2006
“ Artists speak up for city studios “ The Age . 20 September 2006
Barclay, Alison ‘Holding her breath’, The HeraldSun, 7 July 1998
Birmingham Fujii , Lucy “ Rosslynd Piggott , Roberto Giostra and Edison at Omotesando
Hills “ September / October 2006 Vol . 16 . no . 5 .
Bolton, Ken 'Piggott's Palace a memorable journey', The Advertiser (Adelaide) 11 March, 1992
'For Once the Erotic fails to shock', The Advertiser (Adelaide) 15 March, 1992
Bond, Tony Trace, ex.cat, The Liverpool Biennial of Contemporary Art, UK, 1999
Brown , Jenny “ Style ? It’s art décor “ The Age . 29 July 2006 .
Burns , Karen “The Urban Workshop “ Architecture Australia July / August 2006 .Vol . 95 no 4 .
Cass, Naomi ‘Suspended Breath. Refining dreams and sensibilities’, Art and Australia, Vol.36, No.3, 1999
Fears and Scruples, ex.cat., University of Melbourne, 1986
'Empty vessels make the most sound', Rosslynd Piggott ex.cat. Powell St Gallery, 1992
Catalano, Gary 'States of Flux: an interview with Rosslynd Piggott', Art Monthly, August, No.72,1994
'Mysterious Art Challenges Reality', The Age, 27 February, 1987
'Correspondence, Whispers, Moods', The Age, 4 April, 1990
'Objects Cast Light on Imagination', The Age, 25 July, 1990
‘Building a Picture - interviews with Australian artists’, McGraw-Hill, Melbourne, 1999
Coslovich , Gabriella “ City’s arty image the in thing , but artists on the way out “ The Age . 7 September 2006
Clabburn, Anna “Three strolling artists lead the way at MOMA”, The Age, 11 Nov, 1998
“When less is much more”, The Age, 9 December, 1998
Colless, Edward The Error of my Ways, I.M.A., Brisbane, Australia, 1995
Cotter, Julie ‘Rosslynd Piggott’, Eyeline, No.39, Autumn/Winter, 1999
Crawford , Ashley “ Search for peace is true to nature “ The Age . 23 April 2004
Creed, Barbara 'The Aberrant Object. Women, Dada and Surrealism', Art Monthly, no. 69, May , 1994
Dannat, Adrian 'Australian Gambol - 5th Australian Sculpture Triennial', Flash Art, March, 1994
Edquist, Harriet& Engberg, Juliana, The Angelic Space, ex.cat., Monash University Gallery, 1992
Edquist, Harriet 'The Transformations of Rosslynd Piggott: From Pieroesque Painting to Crystalline Installation', Art and Australia, Vol.32, No.3, Autumn 1995
Edwards, Geoffrey ‘The Art of Glass – Rosslynd Piggott and Tony Cragg’, Art Monthly, no.129 June 2000
Engberg, Juliana 'Fast and Loose. The Fifth Australian Sculpture Triennial', Art and Australia, Vol. 31, No.3, Autumn , 1994
The Aberrant Object, ex.cat., Museum of Modern Art at Heide, 1994
‘Free Fall’, catalogue essay for Suspended Breath, The National Gallery of Victoria, 1998
Fall, Nicole ‘Rosslynd Piggott: a Void in Tokyo’, Worth Global Style Network, 19 June 2001
Fenner, Felecity 'Erotica Blooms', The Sydney Morning Herald, August , 1992
Gates, Merryn Artists Make Books. An Annotated Index, ex.cat., 1991
'Perfume Proceeds by Analogy', ex.cat., for Adelaide Festival, Visual Arts Programme, 1992
'Perfume Proceeds by Analogy', Rosslynd Piggott ex.cat., Powell St Gallery, 1992
'Transparency and Reinvention in Rosslynd Piggott', Art and Text, no.25, 1987
‘A way of being in the world- a conversation with Rosslynd Piggott’, ex.cat.,Suspended Breath, The National Gallery of Victoria, 1998
Green, Charles 'The Art of Travel: Recent Australian Art', Tension no.18, October, 1989
Genocchio, B ‘Discrete charm of the allusion-ist’, The Australian, 12 June, 2000
Grishin, Sasha ‘Personal, unique language’, The Canberra Times, 31 May, 2000
Hammond , Kirrily Reverie catalogue Gippsland centre for Art and Design Monash University .
Haselton, Louise “Passages. A walk around Rosslynd Piggott’s ‘A Variable Pantheon.’” Ideal Work, Experimental Art Foundation, Adelaide, 1998
Heathcote, Chris 'A show of modern colour', The Age, 15 June , 1994
'Poetic Works that bypass new theories', The Age, 26 August, 1992
'Humorous Expression', Art Monthly, April, 1989
'Tribes and their Territories', Art Monthly, no.30., May, 1990
Hillstrom, Laurie(ed) Contemporary Women Artists, St James Press, MI, 1999
Holmes, Jonathon & Colless, Edward, Rediscovery: Australian Artists in Europe 1982 - 1992, ex.cat, University of Tasmania, 1992
Kiely , Annemarie ‘ Let’s talk about Art “ Belle . February / March 2001
“ Vibrazioni di Colore “ Elle Décor / Italian edition . October 2003 .
Lancashire, ‘Of clear blue skies and our hands and feet’, The Age, 7 November 1996
Rebecca ‘Wrapped in fine detail’, The Age, 7 July 1998
Lindsay, Robert The Golden Shibboleth, ex.cat., Gertrude Street, 1987
The Shell Collection of Contemporary Australian Art, Melbourne, 1995
Marsh, Anne 'A Veiled Discourse', Photofile no 30, Winter, 1990
Marshall, Brenda 'Rosslynd Piggott : Creating a First Innocence', Binocular,
Moët & Chandon Contemporary Edition 1994
Martin, Lauren ‘Gallery Head Intent on Adding a bit of Colour’, Sydney Morning Herald, 28 August 2001
McAuliffe, Chris 'An Inappropriate Remark about Rosslynd Piggott', Rosslynd Piggott ex.cat., Powell St Gallery, 1992
'The Pleasure Principle', World Art, no.1, 1995
McCulloch, Alan The Encyclopedia of Australian Art, revised and updated by Susan McCulloch, Allen & Unwin, 1994
Mc Donald , Anne Moist – Australian Watercolors catalogue National Gallery of Australia 2005
McKenzie, Robyn ‘Next Wave of perception’, The Age, 22 May1996
Miller, Ronald 'Piggott's Very Personal View', The Herald, 4 April, 1990
Murray Cree, Laura & Drury, Nevill, Australian Painting Now, Craftsman House, Sydney, 2000
Nelson, Robert ‘Calculating the measure of artists talents’, The Age, November 24, 1999
‘Learning to be Exotic’, The Age, October 18, 2000
Neri, Louise Quiddity, ex.cat., Gertrude Street, 1987
Nowak, Jolanta “Magic Carpets: Travelling towards and talking with the other.” A reading of Rosslynd Piggott’s Suspended Breath, National Gallery of Victoria, The University of Melbourne Fine Arts Society Bulletin, Vol.10, No.2, Spring 1998
Picinini, Patricia & Hennessy, Peter 'Corporeality and Representation', Agenda, June, 1990
Piggott, Rosslynd Interview with Elena Taylor, National Sculpture Prize and Exhibition 2001, ex. cat. National Gallery of Australia, Canberra
Artists pages. Dialogue, “Fashion”. No.11 May 1999
Young Australians, ex.cat., Budget collection, Powell St Gallery, 1987
'The Found Artist", Tension 21, June (from a paper given at "Foreign
Knowledge "series at Gertrude Street, 1989), 1990
Pataphysics G/H (drawing insert "Untitled" 26 July 1990)
Rebus no.1, 1989
Moet & Chandon Australian Art Foundation, ex.cat., 1991
Moet & Chandon Australian Art Foundation, ex.cat., 1993
''Louise Bourgeios', Galerie Karsten Greve, Paris, Oct.-Feb.1992-3, Artfan 1, Spring 1993
Fifth Australian Sculpture Triennial, ex.cat., vol. 1 & 2, Melbourne,1993
'Domenico de Clario - The Seventh Arit (Elemental Landscapes 1975-1993)', Artfan 2, Autumn 1994
'Rosslynd Piggott', Sutton Gallery, June 1994, Artfan 3&4, Spring 1994 (contributors - Jennifer Phipps, Joseph de Lutiis, Kerstin Thompson, Jill Giannios)
'Studios 1974-1995', Dialogue, Sept.-Oct. 1995
Pryor, Gregory 'I See Red', Rosslynd Piggott ex.cat., Powell St Gallery, 1992
Rooney, Robert 'Visions Bathed in Diaphanous Light', The Australian, 7-8, April, 1990
'Escape from Time Warp', The Australian, 29-30 August, 1992
'Camel ride from the real to the surreal', The Australian, 5-6 Sept., 1992
'Lovers', The Australian, 22 December 1995
‘Art of the ellusive and allusive’, The Australian, 10 July 1998
Rawlings , Ashley “ Rosslynd Piggott in collaboration with Roberto Giostra and Edison
- Yamazakura “ The Japan Times . 18 May 2006
Simons, Patricia 'The Italian Connection: Another Sunrise ? The Place of the Renaissance in Current Australian Art Practice', Art Network, Winter - Spring , 1986
Smith, Jason “Four shoes, many signs.” Artlink, ‘Mining the archive”, Vil.19, No.1, 1999
‘Elusive and Allusive- The Art of Rosslynd Piggott’, catalogue essay for Suspended Breath, The National Gallery of Victoria, 1998
Spunner, Suzanne “The thrall of the dress: blame it on Dior.”, Art Monthly, Australia, April 1999, No.118
Steffenson, Y Fetishistic Traces', Broadsheet vol.21., no.2, June, 1992
Tanaka, Yukito ‘Moan from the depths of Japan.’ Ex cat, Swallowing Night, 1997 Kitamoto Cultural Centre. Saitama, Japan
Thomas, Daniel 'Art at the Adelaide Festival 1992', Art & Australia, vol.30, no.1, Sp. 1992
Outlines of Australian Art - The Joseph Brown Collection, 3rd ed., 1989
Thorpe, D.W. Who's Who of Australian Visual Artists, D.W. Thorpe, 1995
Timms, Peter ‘Feats hard to warm to’, The Herald-Sun, 13 November 1996
‘Piggott’s dream-like world’, The Age, 15 July 1998
“Group exhibitions lead the way”, The Age, 30 December, 1998
Usher,Rod 'Dressing up the Nude', Time Australia, dec.21, no.51, 1992
Walker, Linda ...but never by chance..., Experimental Art Foundation, Marie ed. Adelaide, 1992
Weston , Neville “ Drawing definitive boundaries “ The West Australian . 24 August 2002 .
Williams, Don & Art Now - Contemporary Art Post-1970, McGraw Hill Book Co. Simpson Colin Sydney, 1994
Zimmer, Jenny 'A Flawed and Poignant Beauty'", The Sunday Herald, 1 April, 1990
'Imagery Puts Words in the Picture', The Sunday Herald, 27 July,1990
Awards, Prizes, Grants
2017 Australia Council, Arts projects grant
2015 Australia Council, Arts projects grant
2014 Australia Council, New Work grant
2013 Australia Council studio.Acme studios.London.
2012 R & M McGivern Prize
2011 International Fund, Arts Victoria for residency at Berengo glass,Murano, Venice
2010 Australia Council Overseas studio at The British School at Rome
2003 International Touring Fund, Arts Victoria
New Work Grant, Visual Arts/Craft Fund of the Australia Council
International Touring Fund, Arts Victoria
1998 International Touring Fund, Arts Victoria
1997 New Work Grant, Visual Arts/Craft Fund of the Australia Council
Sai-no Kuni Artist in residence, Saitama, Japan
1996 Arts and Cultural Development Grant, Arts Victoria
1993 Power Studio of the University of Sydney at Cite Internationale des Arts, Paris
1992 Sara Weis 1992 Nude Award
1990 Artists Development Grant, Visual Arts/Craft Board of the Australia Council
1988 Project Grant, Visual Arts/Craft Board of the Australia Council
1987-88 Australia Council Studio, 'Il Paretaio', Italy
St Kilda Council Acquisitive Prize